French Classical Style

The French classical style runs parallel with the German baroque. The organ had a highly standardized stoplist, in line with its (almost exclusively) liturgical use. The compositions were highly standardized too, generally named by the stops that were to be used (e.g Plein jeu, Basse de Trompette, Tierce en Taille) and the function within mass or the chant theme (e.g Kyrie, Gloria, Ave Maria Stella).

A series in the newsletter covered the style and the different movements and registrations often used during the period:

Videos:

Michel Chapuis – Grand Jeu Classique – St. Ouen
Michel Chapuis – Improvisations in French classical style – Chapelle Royale, Paris
Otto Maria Krämer – Suite Francaise – Plein jeu
Otto Maria Krämer – Suite Francaise – Fugue
Otto Maria Krämer – Suite Francaise – Récit
Otto Maria Krämer – Suite Francaise – Basse de trompette
Otto Maria Krämer – Suite Francaise – Quatuor
Otto Maria Krämer – Suite Francaise – Duo
Otto Maria Krämer – Suite Francaise – Tierce en taille
Otto Maria Krämer – Suite Francaise – Dialogue sur les grands jeux
Wolfgang Seifen – Suite in French Style – Marienbasilika – Kevelaer

Michel Chapuis

Michel ChapuisChapuis was organist for the Paris churches of St. Germain l’Auxerrois (1951-54) and St. Nicolas des Champs (1954-72), accompanied at Notre Dame (1955-64), and was titular organist of St. Séverin from 1964. He also toured widely as a concert artist. From 1956-79 he was Professor at the Conservatoire de Strasbourg, 1979-86 at the Besançon Conservatoire, and 1986-95 at the Paris Conservatoire. In 1995, he was named organist to the Versailles Royal Chapel.

Full bio. You can hear him on Spotify.


Videos:
Michel Chapuis – Grand Jeu Classique – St. Ouen
Michel Chapuis – Improvisations in French classical style – Chapelle Royale, Paris
Michel Chapuis – Improvisation sur “Ubi Caritas” – Cathédrale Saint-Vincent, Saint-Malo
Michel Chapuis – Improvisations dans le style classique français – Orgue Aubertin, Karuzawa, Japan