In the Style of Mozart

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Though Wolfgang Amadeus Mozart only lived for a short time, he is one of the great masters of Classical music. While he left only a small number of pieces for organ, many improvisers have set out to imitate his style at the organ. As I create (or find) instructions for ways to learn his style, I’ll add links from this page. For now, enjoy the videos from other performers and try to identify elements that you could incorporate to imitate the style of this great master.


Videos:
Gianluca Cagnani – Improvisation über ein Thema von W.A.Mozart (Allegro – Adagio – Presto)
John Riley – Overture in the style of Mozart – Paisley Abbey
John Riley – Variations on a theme by Mozart – McEwan Hall, Edinburgh

French Classical Style

The French classical style runs parallel with the German baroque. The organ had a highly standardized stoplist, in line with its (almost exclusively) liturgical use. The compositions were highly standardized too, generally named by the stops that were to be used (e.g Plein jeu, Basse de Trompette, Tierce en Taille) and the function within mass or the chant theme (e.g Kyrie, Gloria, Ave Maria Stella).

A series in the newsletter covered the style and the different movements and registrations often used during the period:

Videos:

Michel Chapuis – Grand Jeu Classique – St. Ouen
Michel Chapuis – Improvisations in French classical style – Chapelle Royale, Paris
Otto Maria Krämer – Suite Francaise – Plein jeu
Otto Maria Krämer – Suite Francaise – Fugue
Otto Maria Krämer – Suite Francaise – Récit
Otto Maria Krämer – Suite Francaise – Basse de trompette
Otto Maria Krämer – Suite Francaise – Quatuor
Otto Maria Krämer – Suite Francaise – Duo
Otto Maria Krämer – Suite Francaise – Tierce en taille
Otto Maria Krämer – Suite Francaise – Dialogue sur les grands jeux
Wolfgang Seifen – Suite in French Style – Marienbasilika – Kevelaer