Symphony

A symphony is a multi-movement form, usually tonal with the first movement in sonata allegro form. While originating as a suite of pieces for orchestra, as the tone palette of the organ grew, it migrated to a form for the newer romantic/symphonic organ. Though the very first organ symphony was written by German composer Wilhelm Valentin Volckmar in 1867, the genre is mainly associated with French romanticism. César Franck wrote what is considered to be the first French organ symphony in his Grand pièce symphonique, and the composers Charles-Marie Widor, who wrote ten organ symphonies, and his pupil Louis Vierne, who wrote six, continued to cultivate the genre. The Symphonie-Passion of Marcel Dupré is the reconstruction of an improvisation by Dupré that he made at Wanamaker’s in Philadelphia on 8 December 1921. While classical symphonies (and those written compositions) developed original material, it seems most improvised symphonies follow the pattern of Dupré in utilizing chants, chorales, or other themes known to the audience.

Videos:
Nigel Allcoat – Symphonie Improvisée on ‘Salve Regina’ – St Nicolas du Chardonnet, Paris
Jean-Baptiste Dupont – Symphonie improvisée playlist- St-Joseph, Bonn Beuel (Germany)
Noël Hazebroucq – Symphonie Improvisée 1: Allegro Sonate – La Madeleine, Paris
Noël Hazebroucq – Symphonie Improvisée 2: Scherzo – La Madeleine, Paris
Noël Hazebroucq – Symphonie Improvisée 3: Cantilène et toccata – La Madeleine, Paris
Otto Maria Krämer – Symphonie Francaise – Allegro ma non troppo
Otto Maria Krämer – Symphonie Francaise – Cantabile
Otto Maria Krämer – Symphonie Francaise – Scherzando on “Macht hoch die Tür”
Otto Maria Krämer – Symphonie Francaise – Prière
Otto Maria Krämer – Symphonie Francaise – Final

Salve Regina

Salve Regina - Solemn Tone

Salve Regina –
Solemn Tone

Salve, Regina, Mater misericordiae,
vita, dulcedo, et spes nostra, salve.
Ad te clamamus exsules filii Hevæ,
Ad te suspiramus, gementes et flentes
in hac lacrimarum valle.
Eia, ergo, advocata nostra, illos tuos
misericordes oculos ad nos converte;
Et Jesum, benedictum fructum ventris tui,
nobis post hoc exsilium ostende.
O clemens, O pia, O dulcis Virgo Maria.

Salve Regina, also known as Hail Holy Queen, is one of four Marian chant antiphons sung at different seasons within the Christian liturgical calendar of the Roman Catholic Church. It is traditionally sung at compline in the time from the Saturday before Trinity Sunday until the Friday before the first Sunday of Advent. It is also the final prayer of the rosary. There are two typical chant versions referred to as the solemn tone (above) and the simple tone (below). The solemn chant is in the Dorian mode while the simple chant is in the Lydian mode.

See a list of other popular chant themes here.

Salve Regina - Simple Tone

Salve Regina –
Simple Tone




Videos:
Nigel Allcoat – Symphonie Improvisée on ‘Salve Regina’ – St Nicolas du Chardonnet, Paris
Wm. Glenn Osborne – Postlude on ‘Salve Regina’ – Cathedral of Mary Our Queen, Baltimore
William Porter – Improvisation: Four Modal Variations on Salve Regina: I (Theme and Plein jeu)
William Porter – Improvisation: Four Modal Variations on Salve Regina: II (Scherzo)
William Porter – Improvisation: Four Modal Variations on Salve Regina: III (Meditation)
William Porter – Improvisation: Four Modal Variations on Salve Regina: IV (Introduction and Passacaglia)

Chant

Having served as the music of the Roman Catholic Church for hundreds of years, chant has been the subject of improvisations throughout many different stylistic periods and in many different forms.
Some popular chant themes include:

Videos:
Gerre Hancock – Improvised versets on the Magnificat Solemn Tone – April 4, 2004 – St. Thomas
Otto Maria Krämer – Improvisation in Memoriam Marcel Dupré on “Ave maris stella”
Loïc Mallié Improvisation sur deux thèmes grégoriens
Olivier Messiaen – Puer Natus Est – La Trinité
Pierre Pincemaille – Conditor Alme Siderum – St. Denis
William Porter – Improvisation: Four Modal Variations on Salve Regina: I (Theme and Plein jeu)
William Porter – Improvisation: Four Modal Variations on Salve Regina: II (Scherzo)
William Porter – Improvisation: Four Modal Variations on Salve Regina: III (Meditation)
William Porter – Improvisation: Four Modal Variations on Salve Regina: IV (Introduction and Passacaglia)